32,979 Free Images of Art Center

yale center for british art laid paper etchings in the yale center for british art hand-colored paper etching aquatint prints in the yale center for british art aquatint drawings in the yale center for british art engravings in the yale center for british art

Part of Brind Gill in Ligburthwaite, Sir George Beaumont, 7th Baronet

drawings in the yale center for british art sir george beaumont, 7th baronet

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Church of L'Ery, near Pont-de-l'Arche, John Sell Cotman, 1820

etchings in the yale center for british art paintings by john sell cotman

The Enterprize Steam Vessel, passing through Madras Roads, Theodore Henry Adolphus Fielding, 1825

aquatint prints in the yale center for british art theodore henry adolphus fielding

Druming Out. Or Making an Example of a Mutineer, William Heath, circa 1827

etchings in the yale center for british art william heath (artist)

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland., Thomas Bewick, 1789

wood engravings in the yale center for british art thomas bewick

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894, Aubrey Beardsley

prints in the yale center for british art aestheticism,symbolism

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Midgham House, the Seat of W.S. Poyntz, Esq., M.P., Frederick Wilton Litchfield Stockdale, 1826

aquatint prints in the yale center for british art frederick wilton litchfield stockdale

Campos sur les bords du Rio das Velhas, Richard Parkes Bonington, 1827

lithograph prints in the yale center for british art orientalism

Mrs. Siddons frontal view wringing her hands, John Flaxman Jr., 1783

sketchbooks in the yale center for british art neoclassicism

The Monument of King Henry III, in Westminster Abbey, Jakob van der Schley, 1735

engravings in the yale center for british art jacobus van der schley

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Book of Job, Plate 2, Satan before the Throne of God, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797

etchings in the yale center for british art isaac cruikshank

Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794

etchings in the yale center for british art james gillray

Simon Fraser, Twelfth Lord Lovat (1667-1747), Richard Cooper

drawings in the yale center for british art richard cooper, the elder

A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken

aquatint prints in the yale center for british art henry thomas alken

Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799

etchings in the yale center for british art john cawse

The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia, Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions, James Neagle, 1810

etchings in the yale center for british art james neagle

Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784

etchings in the yale center for british art james gillray

Book of Job, Plate 10, Job Rebuked by His Friends, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894, Aubrey Beardsley

prints in the yale center for british art aestheticism,symbolism

Franciscus Franck Junior, Pictor Humanarum Figurarum in Minoris Antuerpiæ, Willem Hondius, circa 1635

etchings in the yale center for british art baroque

Various Sketches of Heads, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29), Richard Westall, before 1835

drawings in the yale center for british art works by richard westall

Three Children of King Henry VII and Elizabeth of York, His Queen, George Vertue, 1748

etchings in the yale center for british art paintings by george vertue

Design for the grand staircase at Buckingham Palace, West View, Thomas Stothard, 1828

architectural drawings in the yale center for british art drawings by thomas stothard

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body, Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

Various Sketches of Hands, Heads, and Arms, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

George the Third King of Great Britain &c &c &c, William Woollett, between 1763 and 1764

engravings in the yale center for british art william woollett

Racing [set of four]: The High Mettled Racer. 1. The Racehorse, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends, Thomas Rowlandson

etchings in the yale center for british art romanticism

The Murder of Duncan - Study of Sleeping Grooms, Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

Mrs. Siddons standing, frontal view with arms folded, John Flaxman Jr., 1783

sketchbooks in the yale center for british art neoclassicism

His Royal Highness William Augustus, Duke of Cumberland, Edward Fisher, circa 1760

mezzotint prints in the yale center for british art edward fisher (engraver)

Franciscus Franck Junior, Pictor Humanarum Figurarum in Paruis Antuerpiæ, Willem Hondius, circa 1635

etchings in the yale center for british art baroque

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Taming Of The Shrew, Act III, Scene II, Jean-Pierre Simon, 1795

stipple engravings in the yale center for british art jean-pierre simon

Stag Hunting: Rider With Hounds About to Bring the Stag Down, Peter Tillemans

drawings in the yale center for british art drawings and watercolors by peter tillemans

Lord Macartney Seated, His Head Turned towards the Artist, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Study for the Head of Ferdinand in "Ferdinand Lured by Ariel", John Everett Millais, 1849

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Geometrical Construction of the Freeze and Battlements in the House of Commons, John Thomas Smith, 1805

engravings in the yale center for british art john thomas smith (1766-1833)

'Henry IV, Part I,' Act II, Scene IV, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Dr. William Markham, Head Master of Westminster School, Bishop of Chester, Edward Fisher, 1762

mezzotint prints in the yale center for british art edward fisher (engraver)

Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800

etchings in the yale center for british art isaac cruikshank

Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi, Robert Turnbull Macpherson, circa 1863

photographs in the yale center for british art robert macpherson

Book of Job, Plate 20, Job and His Daughters, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Stained Glass Study, Water Plant with Grasshoper, Fish and Newt, John Everett Millais

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Pendennis Castle and Entrance of Falmouth Harbour, George Cooke, between 1814 and 1826

etchings in the yale center for british art george cooke (engraver)

Corps de Garde (Barbarians Defeated by a Book), Philip James de Loutherbourg

drawings in the yale center for british art philipp jakob loutherbourg d. j.

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Edinbourgh vu de la Chapelle S. Antoine, Richard Parkes Bonington, circa 1826

lithograph prints in the yale center for british art orientalism

Coleus edulis (Ethiopian potato): outline sketches of flowering stem, tubers, details of leaf and flowers, Luigi Balugani

drawings in the yale center for british art luigi balugani

'Henry IV, Part I,' Act II, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner, Henry Thomas Alken

watercolor paintings in the yale center for british art henry thomas alken

Book of Job, Plate 11, Job's Evil Dreams, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

'Henry IV, Part I,' Act II, Scene IV, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

L'Enfant Prodigue dans la plus grande Misere, Johann Jakob Haid

etchings in the yale center for british art johann jacob haid

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Twelfth Night, Act III, Scene IV: Olivia's House, Thomas Ryder, 1803

stipple engravings in the yale center for british art thomas ryder

sketchbooks in the yale center for british art thomas patch

Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter, William Henry Worthington, 1833

etchings in the yale center for british art william henry worthington

Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!, Charles Williams, 1813

etchings in the yale center for british art charles williams (caricaturist)

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey, Edward Fisher, 1762

mezzotint prints in the yale center for british art edward fisher (engraver)

drawings in the yale center for british art henry thomas alken

Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found", James Gillray, 1796

etchings in the yale center for british art james gillray

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793

etchings in the yale center for british art isaac cruikshank

East Side of Mr. Hare's New House, Samuel Hieronymus Grimm, 1783

architectural drawings in the yale center for british art samuel hieronymus grimm

Design for the grand staircase at Buckingham Palace, North View, Thomas Stothard, 1828

architectural drawings in the yale center for british art drawings by thomas stothard

Book of Job, Plate 1, Job and His Family, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Temple of Venus, Bay of Baie, Sir George Beaumont, 7th Baronet

drawings in the yale center for british art sir george beaumont, 7th baronet

Figures on a Rocky River Bank at Canonteign, Devon, John White Abbott, 1801

drawings in the yale center for british art john white abbott

Pistol eating Fluellen's Leak - "Henry V", Henry Bunbury, between 1811 and 1815

etchings in the yale center for british art henry william bunbury

Temple of Venus Monday, March 18th, 1782, Sir George Beaumont, 7th Baronet

drawings in the yale center for british art sir george beaumont, 7th baronet

The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-., James Gillray, 1791

etchings in the yale center for british art james gillray

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2), James Gillray, 1792

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Saint Catherine of Bologna, Catherine of Bologna, about 1469

ms ludwig ix 13 (getty museum) - gualenghi-d'este hours catherine of bologna in art

Action off Cape St. Vicent, 14 February 1797, Robert Dodd, circa 1797

prints in the yale center for british art robert dodd

Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue, Amos Green, 1803

drawings by amos green in the yale center for british art loch venachar

Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One), William Watts, 1780

prints in the yale center for british art william watts

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